Cinemaniac Reviews

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Archive for the day “July 21, 2012”

The Mist

Bottom Line: Enjoyable for those who watch horror movies solely for blood and gore.

Directed by: Frank Darabont
Starring: Alexa Davalos, Andre Braugher, Frances Sternhagen, Jeffrey DeMunn, Laurie Holden, Marcia Gay Harden, Nathan Gamble, Toby Jones, Thomas Jane, William Sadler

When we look at some of the most prominent figures surrounding the horror genre, it seems film and television have countless possiblilities. To name just a few, Bela Lugosi, Wes Craven, John Carpenter, and–much more recently–Oren Peli. In written fiction, there aren’t very many notable personalities. It’s limited to Bram Stoker, Mary Shelley, Ann Rice, and Stephen King. Of those four, King stands out as my favorite. He is–or, rather, was–a prolific author you could count on for a great book that most of the time turns into a just as spectacular film. Brian de Palma’s CARRIE and Stanley Kubrick’s THE SHINING are as equally important to the horror genre as their source novels, for example. Writer-director Frank Darabont has proved himself a fan of King’s work. He’s the filmmaker responsible for THE SHAWSHANK REDEMPTION and THE GREEN MILE. Each of those was an adaptation of King’s non-horror work, a rarity, but they nevertheless turned out spectacularly. They’re the kind of films that we remember much more than their source material. With those credits and exuberant knowledge of how to successfully adapt and even improve on the author’s work, one would think THE MIST would be somewhat decent. The Mist was a mediocre novella to begin with, with an engaging premise marred by poor writing. To adapt it was a tedious idea, but appallingly, the film works out as little more than derivative B-horror.

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Joyful Noise

Bottom Line: Joyful Noise isn’t at all noise, but it’s every bit too joyful.

Directed by: Todd Graff
Starring: Andy Karl, Angela Grovey, Courtney B. Vance, Dexter Darden, Dolly Parton, Jeremy Jordan, Jesse L. Martin, Keke Palmer, Kirk Franklin, Queen Latifah

Gospel music is one of the few musical genres I cannot stand listening to. Personally, I feel it’s music for God’s ears, not mine, due to the blatantly expressed praise that fall into verse in some of the most redundant ways music has faced. I must add that I’ve had to endure the genre several times throughout my life. I was genuinely delighted to find myself thoroughly enjoying the cast’s covers of previous hits, “gospel-ized”. The film falls apart mainly when struck by predictable Hollywood fluff.

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