Cinemanic Reviews

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Archive for the tag “1977”

Saturday Night Fever

saturday_night_fever

Three notes: One, I watched Saturday Night Fever on Saturday, December 22nd, in celebration of the apocalypse that never came the day before. Ah, ah, ah, ah, stayin’ alive, stayin’ alive. Two, this is my last film review for the year of 2012, but there are equally important posts appearing during the remainder of the year, including five blogger interviews. Three, Happy Christmas Eve (that is, if you recognize the holiday).

Bottom Line: It’s a disease that reaches both the soul and the tappin’ feet, but neither the brain nor the heart.

Directed by: John Badham
Tony Manero: John Travolta
Also Starring: Denny Dillon, Donna Pescow, Karen Lynn Gorney, Paul Pape, Sam J. Coppola

“Whether you’re a brother or whether you’re a mother,
You’re stayin’ alive, stayin’ alive,
Feel the city breakin’ and everybody shakin’,
And we’re stayin’ alive, stayin’ alive…”
–”Stayin’ Alive” by Bee Gees

Believe it or not, disco music is still around and very popular today. It’s only evolved into a genre known as dubstep, in which almost any computer can generate offbeat, albeit energizing instrumentals. With an appreciation for this modern generation of dance rhythms, Saturday Night Fever is highly enjoyable, almost definitive of its own title. Back in the 1970s, the soundtrack was manna from heaven to younger audiences. It remains one of the most prestigious recordings ever compiled for a film, due to irresistible hits such as the Bee Gees’s “Stayin’ Alive”, KC and the Sunshine Band’s “Boogie Shoes”, the Trammps’s “Disco Inferno”, and several others. The selections are paralleled by a very scarce number of soundtracks, such as those from American Graffiti and the later-appearing Dirty Dancing. But beyond the musical palette, the film itself is near shallow fun. Placed beside such spectacles as American Graffiti and Dirty Dancing, films with equal appreciation for style and substance, Saturday Night Fever disappears into obscurity.

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Star Wars

I don’t have very much memory of myself at the age of seven. I’ve been reminded of school experiences from when I was that young, very few of which I remember. What I do remember is loving Star Wars when I initially viewed it at that age, and then moving on to glorify the film and its sequels as if it were a religion. You could say I praised it just as very many absurd cult fanatics praise films such as The Rocky Horror Picture Show. Within these past twenty-four hours, I re-experienced Star Wars for the first time in about three, if not four years. I certainly do not worship it as I did when I was half my current age, but my mind is still blown by how well-made this massive production is. Please enjoy my review.

Bottom Line: High quality source of inventive, brilliant science fiction entertainment.

“I find your lack of faith disturbing.” –David Prowse and the voice of James Earl Jones as Darth Vader

Directed by: George Lucas
Starring: Alec Guiness, Anthony Daniels, Carrie Fisher, David Prowse, Harrison Ford, James Earl Jones, Kenny Baker, Mark Hamill, Peter Cushing, Peter Mayhew

When looking upon a tale as brilliantly and elaborately crafted as STAR WARS, it’s almost inconceivable how small a seed the story was when it first began. I’ve heard from various diehard fans of the franchise that the story came to writer-director George Lucas in a “dream”. Don’t ask me whether the term is intended to denote that this was a vague story he was envisioning overnight, or that it was a “what if?” that occurred to him at the most unexpected moment, because it does not matter. What truly does matter is that Lucas’s dedication and preoccupation with the premise evolved into one of the most intoxicating, unforgettable tales ever presented on film. The epic introduces Luke Skywalker (Mark Hamill), an adolescent who has been living with his aunt and uncle for as long as he can remember. He has little knowledge of his mother and father, and is brought up with the decency to not mention them in conversation. Luke meets Obi-Wan Kenobi (Alec Guiness), a man who is known a hermit named Ben, but apparently fought in the Clone Wars and trained Luke’s father to adapt to the powers of a universal bond know as “the Force”, and thus become a “Jedi”, a warrior who uses the Force for purposes that promote justice rather than darkness. When Luke’s two guardians are murdered by Sandpeople, he comes to a conclusion that he must follow in his father’s footsteps. While being trained by Obi-Wan to manipulate the Force, he pursues a journey to save a beautiful young woman known as Princess Leia (Carrie Fisher) from the evil Darth Vader (portrayed by David Prowse, voiced by James Earl Jones), as well as the entire galaxy from a highly destructive, moon-shaped weapon called the Death Star.

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High Anxiety

Bottom Line: Mel Brooks points out all the Master of Suspense’s hilarious subtleties just in time.

Directed by: Mel Brooks
Starring: Cloris Leachman, Madeline Kahn, Mel Brooks

“Meet me at the North-by-Northwest Corner.” –Mel Brooks as Dr. Richard H. Thorndyke

Dr. Richard H. Thorndyke (Mel Brooks) is a well-known psychiatrist suffering from what his own doctor calls “high anxiety,” one of the many recurring references to the titular psychiatric condition in Alfred Hitchcock’s classic thriller VERTIGO. After being appointed as the head of the Psychoneurotic Institute for the Very, VERY Nervous, he is framed for murder and must face his condition.

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Annie Hall

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Bottom Line: Funny and honest…remind me again, why did this win Best Picture?

“A relationship is like a shark. It needs to keep moving forward, or else it dies. What we have here is a dead shark.” —Woody Allen as Alvy Singer

Directed by: Woody Allen
Starring: Diane Keaton, Shelley Duvall, Tony Roberts, Woody Allen

ANNIE HALL was a decent, honest, and sometimes hilarious look at relationships in romantic comedy format (somehow it’s not at all a chick flick), but there’s no way it should have ever won the Best Picture Oscar, particularly over STAR WARS.

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