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Archive for the tag “1979”

Life of Brian

Review No. 399

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The Bottom Line: Honk if you love Brian. Or just shout to Jehov–hey, I didn’t even finish the word yet!

Directed by: Terry Jones
Written by: Monty Python
Starring: Monty Python

Distributed by Orion Pictures and Warner Bros. on August 17, 1979. Produced in English and Latin by the United Kingdom. Runs 94 minutes. Rated R by the MPAA (profanity; mild violence; infrequent, graphic nudity).

Life of Brian was watched on January 22, 2013.

Brian (Graham Chapman): “You have to be different!”
Crowd: “Yes, we are all different!”
Small lonely voice: “I’m not!”

Following a brief nativity scene and a stone tablet title sequence, Monty Python’s Life of Brian opens in Judea, 33 AD. More specifically, it’s Saturday afternoon, somewhere around tea time.

This is the day on which Jesus Christ preached the Sermon on the Mount, according to the Christian faith. Several thousands of people are gathered ’round, listening to the speech. And in the back row, there are a horde of spectators bickering among themselves.

Does this not sound realistic? I mean, people bicker all the time at public gatherings. You go to the movies, and there’s always that guy, hiding in the back row so as not to be caught, laughing wildly and disrupting any focus toward the screen. You go to school, there’s always the two idiots behind you whispering as the teacher gives you midterm notes. It is quite probable, and whereas we are told of the sermon itself in the Bible, the Book of Python suggests the reaction from the audience.

This is the sort of humor that pushes laughter to the extremes in Monty Python’s satire. Even from the most devoutly Christian perspective, much of what the Bible asks us to believe is truly oulandish. And to believe this all requires a true, bona fide subscription to stories we have little record of.

This is what Monty Python is pondering in their brilliant followup to Holy Grail. The next question they tackle is, What could the New Testament be in a fully accessible tone? Which implies, What if everything in Jesus Christ’s life could be paralleled by a completely ordinary man?

Life of Brian succeeds in its attempt to tell this satirical story, and with very little sacrilege. We’re expected to know the general story of Jesus’s life, as the film is an allusion at feature-length. Not once is Jesus Christ mentioned directly, but the protagonist is a middle-class man named Brian, whose life story is told through similar events.

Life of Brian is a roaring comedy that takes an unlikely hero to brave levels. The film doesn’t want to be the Bible; it just wants to make us laugh out loud. There’s enough ingenious writing to make that seem an easy task. I’ve seen Life of Brian twice, and I still very firmly believe this is the troupe’s magnum opus.

In the end, I am always left with an encouraging message: If several men can joyously sing “Always Look on the Bright Side of Life” while being crucified, it shouldn’t be that difficult to take my wholeheartedly recommendation. Okay, the first part is exaggeration. The recommendation needs to be a bit exaggerated.

A PLUS

Kramer vs. Kramer

Bottom Line: Great performances unable to redeem the seen-it-all-before factor.

Directed by: Robert Benton
Starring: Dustin Hoffman, George Coe, Howard Duff, Jane Alexander, JoBeth Williams, Justin Henry, Meryl Streep

I enjoy dramas about dysfunctional families just like I enjoy dramas about historical figures. If there is something unique and worthwhile the film has to offer, count me in. If it’s just another addition to the pile, count me out. Kramer vs. Kramer was first released in 1979. It wasn’t the first film centering on a dysfunctional family, and it certainly wasn’t the last; nor was it anywhere close to the greatest. Ordinary People (1980), What’s Eating Gilbert Grape (1993), The Descendants (2011). The list goes on and on, but when I imagine such films, those three are the first to come to mind. Not only do they offer outstanding performances, they offer great, unexpected surprises and alterations to keep us entertained with a story about as old as Methuselah. Kramer vs. Kramer, despite remaining one of the most recognized and praised films of the 1970s, only ventures halfway. Although such marvelous acting ability is worthy of praise and makes the film watchable, in no way does it redeem the film’s overwhelmingly submissive faith to convention.

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The Jerk

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Bottom Line: All I need is this movie! And a couch! This movie and a couch! And some popcorn! Some popcorn, this movie, and a couch!

“For one dollar, I’ll guess you weight, your height, or your sex!” –Steve Martin as Navin R. Johnson

Directed by: Carl Reiner
Starring: Bernadette Peters, Bill Macy, Catlin Adams, M. Emmet Walsh, Renn Woods, Steve Martin

Hopelessly funny misadventure is a chronicle of Navin R. Johnson (Steve Martin), who makes it clear to us within the first few lines of the film that he is NOT a bum, but a jerk. It’s quite difficult to believe he actually isn’t a bum when he says this sitting on a city sidewalk, dirty in the face, two homeless men sleeping next to him, and even more difficult to try and figure out why he would describe himself as a “jerk,” but for the time being, we go with it. Navin, a man who has apparently nothing left of his but his friends and his thermos, goes on to tell us his life’s story, from his early life singing on the front steps of his porch as a “poor black child” in Mississippi (somehow I doubt that), to his sudden skyrocketing from rags to riches as an inventor of an accessory to keep glasses from sliding off one’s face.

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Manhattan

Bottom Line: HYSTERICAL Woody Allen masterpiece!

Directed by: Woody Allen
Starring: Diane Keaton, Mariel Hemingway, Woody Allen

Subtly sarcastic Woody comedy (what other kind is there?) about Isaac (Woody Allen himself), a forty-two-year-old man living in Manhattan. His wife, Jill (a young Meryl Streep), has recently left him for another woman and begun to write a book regarding their divorce, so he is now dating a seventeen-year-old high school girl named Tracy (Mariel Hemingway). A bit contrary to what we would expect, she is madly in love with him, but he doesn’t quite care for her. Then, Isaac meets Mary (Diane Keaton), the mistress of his best friend Yale (Michael Murphy). The two immediately fall in love, while Isaac attempts to keep it a secret from Tracy.

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Star Trek: The Motion Picture

NOTE: This review regards the “director’s edition” (don’t take me as a Star Trek fanboy–most of whom hate the film more than myself, in fact–this was the first copy available for me).  I’ve not seen the original cut, but this extension, released in 2001, runs an extra four minutes.  Also, not that most parents of this generation would care, but the film’s controversial G rating was re-considered; it now stands rated PG for “sci-fi action and mild language.”

Bottom Line: Nostalgic mood makes up for weak visuals, loose plot.

Directed by: Robert Wise
Starring: DeForest Kelley, Leonard Nimoy, William Shatner

In 1969, Gene Roddenberry created the ever-popular television series STAR TREK, perhaps better known with its retronym, “The Original Series”. For its tenth anniversary in 1979, Roddenberry had planned a spin-off TV series, but eventually scrapped the idea. The two-hour pilot, which had already been filmed, was theatrically released, and became STAR TREK: THE MOTION PICTURE, the first of currently eleven films based on the franchise.

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