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Archive for the tag “2003”

From Justin to Kelly: A Tale of Two American Idols

Day Seven of the Two-Week Torturefest

When this was ooonnnn / I couldn’t breathe for a looong tiime / I’m suffocatiiin’ yeah yeah / Kelly Clarkson / Is this really / What you waaant….

NOTE: This review regards the extended edition, which includes nine more minutes of two songs that are just as horrific as everything that surrounds them both.

IF

Directed by: Robert Iscove
Written by: Kim Fuller
Justin: Justin Guarini
Kelly: Kelly Clarkson
Also Starring: Anika Noni Rose, Brian Dietzen, Christopher Bryan, Greg Siff, Jason Yribar, Jessica Sutta, Justin Gorence, Kaitlin Riley, Katherine Bailess, Marc Macaulay, Theresa San-Nicholas

Distributed by 20th Century Fox on June 20, 2003. Produced in English by the United States. Runs 81 mins. Rated PG by the MPAA–mature themes, sexual situations, mild language. Reviewed cut released with no MPAA rating at 90 mins.

From Justin to Kelly: A Tale of Two American Idols was watched on February 23, 2013.

“My winning is getting to perform. That’s my victory.”
–Kelly Clarkson

After reading the quote above, I couldn’t help but laugh. Kelly Clarkson put on quite a show here, went over the top, the whole nine yards. But she was far from victorious. From Justin to Kelly truly nuked at the box office. In its opening weekend–a summer release–it was screened at more than two-thousand theaters in the U.S. and Canada combined, failed to gross a sparse three million dollars. It holds the record for the shortest theatrical run, with a home video release only six weeks after it hit theaters. The flick made less than five million bucks at the box office over a small budget of TWELVE million.

During award season, it accepted the Governor’s Award for Distinguished Underachievement in Choreography; the Golden Raspberry Award for Worst Musical of Our First 25 Years; and Razzie nominations for Worst Actor, Actress, Picture, Director, Screenplay, Remake or Sequel (a joke, of course, on its unoriginality), and Worst Screen Couple.

I know. I watched an awful movie, but I could’ve gone worse (not to brag, but I did). There’s a few ironies, in all its dreadfulness, that went past the makers but sort of enthused me. Here’s one: Within the first few minutes of From Justin to Kelly, we learn that one of the characters is lactose intolerant. I had the urge to pause and skim back to see if he was having an allergic reaction to being in such a cheesy flick.

From Justin to Kelly is a highly misleading title. The subtitle is even worse: “A Tale of Two American Idols”. This is a trashed sleepover movie for the preteen age group, and it’s horribly outdated. Maybe if I were watching season one of American Idol, I would’ve known who Justin Guarini is, but the name by now is dead to pop culture. Kelly Clarkson, on the other hand, won, so of course I know who she is.

Let me just say, though, that whoever assists her with her music regularly could have made this flick a bit more acceptable. The trashy exchanges between the couple are far from romantic. The film features “singers” who need coaching simply so they don’t start shrieking in the Dorian mode. The lesser half of the music is mixed ever so cacophonously. The script offers maybe six or seven intended jokes total (granted, I expected none), and they’re all suppressed with eye rolling. Must I go on?

All right, I digress. This is the ideal gossip-fest movie. It’s not at all a documentary, because documentaries, ya know, they’re, like, borrang. This is the Dirty Dancing with formula treated as manna from heaven–no offense to Patrick Swayze or Jennifer Grey. Oh yeah, and smears of Grease. For the record, J. Travolta and O. Newton-John, if either of you wishes to be cremated upon your passing, please take every overrated, falsettophilic print of Grease with you.

There’s a clique of cool guys and a clique of valley girls. They’re all over the guys, unless of course they do something stupid, in which case there’s a five-second “eewww” before returning to the “Ohhh they’re so hooot” routine. Then one of the guys–Justin–approaches one of the girls–Kelly. This is promised in the title, but oh my god, she gets rejected! How unexpected! Do you think she’s going to approach him later? Since Kelly Clarkson was born in Texas (how the hell do I know this?), I’d like to propose a neologism inspired by the film: Texploitation. Unless you’d actually care to know how generic a relationship Justin and Kelly enjoyed, please save yourself some time and money.

Postscript: I went through this entire film assuming it was just a bad attempt to display the relationship between Justin Guarini and Kelly Clarkson. I was wrong, but I had to look at Wikipedia to discover so. First of all, the “real” Justin and Kelly never actually dated, unless of course I’m not looking hard enough (I did a “control+F” on both stars’ articles). Second of all, their characters in the film were actually named Justin Bell and Kelly Taylor, according to Wikipedia, but I’m guessing that was an edit with no real credibility, because I didn’t hear their surnames at all.

D PLUS

A new edition of “Monday Movies of the Mind”

This review was brought to you by…
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Pirates of the Caribbean: The Curse of the Black Pearl

Review No. 420

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The Bottom Line:
Yo, ho, ho, ho, it’s quite a fun movie.

Directed by: Gore Verbinski
Screenplay by: Ted Elliott and Terry Rossio
Story by: Ted Elliott and Terry Rossio & Stuart Beattie and Jay Wolpert
Based on: Walt Disney’s Pirates of the Caribbean
Captain Jack Sparrow: Johnny Depp
Captain Barbossa: Geoffrey Rush
Will Turner: Orlando Bloom
Elizabeth Swann: Keira Knightley
Commodore Norrington: Jack Davenport
Governor Weatherby Swann: Jonathan Pryce
Also Starring: Angus Barnett, Christopher S. Capp, Damian O’Hare, David Bailie, Giles New, Greg Ellis, Kevin McNally, Lee Arenberg, Mackenzie Crook, Martin Klebba, Zoe Saldana

Distributed by Walt Disney Pictures on July 9, 2003. Produced in English by the United States. Runs 144 mins. Rated PG-13 by the MPAA for action/adventure violence.

Pirates of the Caribbean: The Curse of the Black Pearl
was watched on February 16, 2013.

“Do us a favor… I know it’s difficult for you… but please, stay here, and try not to do anything… stupid.” –Captain Jack Sparrow (Johnny Depp)

Pirates of the
Caribbean: The Curse of the Black Pearl
is a fun little adventure. Now, mind you, don’t expect anything truly mind blowing here. This is based on a theme park ride–not a book or a stage play but a ride at Disneyland, and a log flume, no less. But you can manage to expect the somewhat unexpected. There is more dramatic depth to it than that, and even more than in most “pirate movies.” We all know that only according to myth did
pirates actually hunt for their treasure and talk in a gruff dialect and whatnot.
Pirates gleefully and harmlessly toys with the folk legend.

We begin sometime during the American Revolution. It’s not clear what year, but considering most other movies would assume we know what period the legend surrounded, it doesn’t much matter.

The Black Pearl is the subject at hand. This is a ghost ship that, although highly improbable, has a massively debated existence. Legend has it that a small, golden medallion has the power over whether or not those belonging to the ship are immortal. At the age of twelve, Elizabeth Swann (Keira Knightley) gets her hands on this
mysterious artifact, by pure mistake. Almost instantly, she declares that she wishes to become a pirate. And later in her life, she does. But little does she know what life will hand her: just
about everything from the handsome blacksmith Will Turner (Orlando
Bloom), to the quirky and bumbling Captain Jack Sparrow (Johnny
Depp).

Pirates is a large-scale technical achievement, with only as much substance as necessary. What stands out most is the music, easily a one-hit wonder for its composer, Klaus Badelt. His original work on other films (Mission: Impossible 2, Catwoman) is nearly impossible to recall. The music in
Pirates–particularly when it dissolves into Dariusz Wolski’s soaring camerawork–is nearly impossible to forget. This is all in the name of adventure and fun, as is everything about the film.

One area, however, I can’t help but feel was indulging in a bit much fun. The screenplay, scripted by Ted Elliott and Terry Rossio, feels extensive at times.
Pirates could have worked as an entirely fluent production at just around two hours. Just an extra twenty minutes seems to kill the climactic moments.

Despite its occasional flaws, I had quite a blast watching Pirates of the Caribbean. The escapade addresses 80% of “pirate” clichés in an almost straightforward–yet, at the same time, goofy–manner. Trying to keep count of search terms akin “Davey Jones’s locker” and “they’re gaining on us” is like trying to stay awake while your face is pressed against a skillet, but in all likelihood, this was intended. What defines
Pirates entirely is Johnny Depp’s performance. He’s creepy, strange, amusing, and he
notably enhances the mood, a blend between quirky and macabre. Jack
Sparrow–I’m sorry, Captain Jack Sparrow was the well executed role of a lifetime for Depp; that this earned him his first Academy Award nomination is anything but surprising.

The film itself isn’t anything of an award-winning swashbuckler. But if it doesn’t end leaving you with a cheesy grin on your face, it’s likely your definition of “fun” is very limited.

B

Butch Cassidy and the Sundance Kid

Lost in Translation

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Bottom Line: Wonderful slice of life from a great filmmaking family.

“Is that everything? It seemed like he said quite a bit more than that.” –Bill Murray as Bob Harris

Directed by: Sofia Coppola
Starring: Akiko Takeshita, Anna Faris, Bill Murray, Catherine Lambert, Giovanni Ribisi, Scarlett Johansson

Quiet, somber drama about a movie star, 55-year-old Bob Harris (Bill Murray). Bob is taking a trip to Tokyo, Japan to shoot a whiskey commercial. In a parallel story, we are introduced to Charlotte (Scarlett Johansson), a 25-year-old woman, recently married, but her husband (Giovanni Ribisi) is neglecting her, constantly meeting with another sprightly blonde woman (Anna Faris) for dinner. The scarce likelihood of Bob, a bored, introverted man, meeting anyone who so much as speaks English, culminates in him meeting Charlotte, who is similar to him in several different ways, and forming an unlikely bond.

Read more…

Bruce Almighty

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Bottom Line: Just about as funny as Jim Carrey can get–with a religious message.

“And that’s the way the cookie crumbles.” —Jim Carrey as Bruce Nolan

Directed by: Tom Shadyac
Starring: Jennifer Aniston, Jim Carrey, Morgan Freeman, Steven Carell

Often-hilarious fantasy-comedy narrates the days of Bruce Nolan (Jim Carrey), struggling with Evan Baxter (Steven Carell) for a job as anchorman and for a solid marriage with his wife (Jennifer Aniston). His anxiety is altered when God (Morgan Freeman) pays him a visit. After the visit, he soon realizes he has been given God’s power, but he cannot tell people that he is God, nor can he use this power against the free will of others.

Read more…

Master and Commander: The Far Side of the World

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Bottom Line: Terrific in almost every way; truly essential for anyone and everyone.

Directed by: Peter Weir
Starring: Billy Boyd, Paul Bettany, Russell Crowe

Peter Weir’s adventurous period drama was ambitiously conceived, magnificently executed. The film is set in 1805, during the time of Napoleon’s near-total power over Europe. Jack Aubrey (Russell Crowe) has taken his small South American ship, the HMS Surprise, and his crew to the Pacific Ocean, planning to intercept any French fleet. The problem arises when a French frigate enters the Pacific–a much larger, more powerfully armed ship.

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The Italian Job

Bottom Line: Not that it should be passed on, but Ocean’s Eleven is a better choice if you want a good crime caper re-do.

Directed by: F. Gary Gray
Starring: Charlize Theron, Donald Sutherland, Edward Norton, Mark Wahlberg

An update of the 1969 crime caper of the same name, THE ITALIAN JOB is not completely gritty, intense, “blood and bore” like DIRTY HARRY; nor is it an absolute laugh-fest like OCEAN’S ELEVEN. Instead, it meets directly in the middle, with enough edge-of-your-sear thrills and recurring chuckles to make for an enjoyable film.

The soundtrack is easily recognizable, as it consists of popular songs of the ’70s and ’80s, such as Pink Floyd’s “Money” and Pat Benatar’s “Heartbreaker”. It would have certainly been a neat idea to set back the songs all the way to ’69, when the original was released, but unfortunately, that is never accomplished, so the musical setback is mostly pointless. On the contrary, there are some neat techno instrumentals we hear, amid those “oldies”, and those themes make much more sense.

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Big Fish

Bottom Line: Comparable to The Curious Case of Benjamin Button and Forrest Gump. Questions life and death in a fantastical manner.

Directed by: Tim Burton
Starring: Albert Finney, Billy Crudup, Ewan McGregor, Helena Bonham Carter, Missi Pyle, Steve Buscemi

BIG FISH is bizarre, but there’s Tim Burton for you. A unique fantasy-drama, it questions life and death with the usual, odd spin created by Burton; and without all the flummoxing B.S. that kept THE CURIOUS CASE OF BENJAMIN BUTTON from earning its Oscar for Best Picture.

The one amusing thing about this film is that Edward Bloom, the centric character of the film, says as many memorable things in 125 minutes as Mark Twain did in his lifetime. This character is witty, clever, and well-portrayed by both Ewan McGregor and Albert Finney. (Though McGregor could have done a little better.)

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